The Tillers w/ The Montvales

Date: Friday, July 12th, 2024
Times: Show @ 8pm | Doors @ 7pm
Location: Red Bicycle Hall - 125 E. Main Street, Madison, IN 47250

THE TILLERS & THE MONTVALES RETURN TO RED BICYCLE HALL! The Tillers have been thumping their own distinctive sound of string band style folk music for a decade, riding it all over the country and across the sea. Four studio albums and one live record have won them praise as modern folk storytellers of the national soundscape. The Montvales will kick things off at 8pm.

Ticket / Check-In Information:

Advance Tickets = $15 | Day of Show Tickets = $20
COMBO TICKET [The Tillers - July 12th & Holy Roller - July 13th] = $25
Doors open at 7pm. | Show starts @ 8pm.
Please enter through the front, Main Street entrance to check in.
Wristbands will be provided at check-in and must be worn throughout the event.

Venue Information:

No outside food or drinks may be brought into the venue.
All ages are welcome.
Free street parking available. (There are also some small, free parking lots located nearby.)
21+ bar on site (cash or cards).

About The Tillers

The Tillers got their start in August 2007 when they started thumping around with some banjos and guitars and a big wooden bass. Their earliest gigs were for coins and burritos on the city’s famous Ludlow Street in the district of Clifton. The songs they picked were mostly older than their grandparents. Some came from Woody Guthrie, some were southern blues laments, and many were anonymous relics of Appalachian woods, churches, riverboats, railroads, prairies, and coal mines.

Their look didn’t fit the stereotype. They were clearly recovering punk rockers with roots in city’s west side punk rock and hardcore scene. The punk influence gave their sound a distinctive bite, setting them apart from most other folk acts- a hard-driving percussive strum and stomp that brought new pulse and vinegar to some very old songs. But their musical range soon proved itself as they floated from hard-tackle thumping to tender graceful melody, all the while topped by Oberst and Geil’s clear tenor harmonies.

They began picking up weekly gigs around the city’s bar scene. It didn’t take long before their signature treatment of classic folk songs became the preferred versions of Cincinnati locals. Their audiences swelled, growing into an assortment of grey-haired mechanics, neo-hippies, farmers, punkers, professors, and random strays all stomping, clapping, singing, and belting outbursts of “John Henry!” “Darlin’ Corey!” Ever since, the band has come to each show with the same energy. They are magnetic showmen, mature musicians, and colorful storytellers.

The Tillers have since won over Cincinnati’s bar and festival scene, and launching tours with tireless momentum. They were awarded CityBeat Magazine’s Cincinnati Entertainment Award for best Folk and Americana act in 2009, 2010, 2013, 2014, 2015 & 2017. Their relentless gigging has taken them throughout the East coast, the Midwest and West, the Appalachian south and to the UK and Ireland opening for the St.Louis crooner, Pokey LaFarge. In the summer of 2009, veteran NBC news anchor Tom Brokaw featured the Tillers on a documentary about US Route 50. Brokaw showcased the group’s song “There is Road (Route 50)” as a testimony to the highway’s role as a connective tissue of the nation.

Musically, the band wears many hats. Their sound has proven to be an appropriate fit with a wide range of musical styles- traditional folk, bluegrass, jazz, punk rock and anything else they might run into. They have shared the stage with a broad swath of national touring acts, ranging from renowned folk legends such as Doc Watson, Ramblin’ Jack Elliott, Guy Clark, Country Joe McDonald, Jerry Douglas, Iris Dement, Pokey LaFarge, The Hackensaw Boys and The Carolina Chocolate Drops to rambunctious rock daredevils like the Legendary Shack Shakers.

Always moving, the Tillers continue to enter new territory. Their musical growth can be heard through the scape of their many releases, 2008′s debut record Ludlow Street Rag, 2010′s By The Signs, 2011′s Wild Hog in the Woods, 2012′s Live from the Historic Southgate House, 2013′s Hand On The Plow, 2018′s The Tillers and many more bootleg releases. The band’s lineup has also taken new shape. In February 2010, long-time bassist Jason Soudrette fondly parted ways with the group, being replaced by Aaron Geil, brother of guitarist Sean. In 2015 the band added fiddler Joe Macheret to the ranks. Recalibrating has not slowed their pace.

They continue to plot their travels around the map, electrifying new places and making new friends wherever they go. From place to place, they carry with them more instruments, new songs, and funnier stories. They are Cincinnati’s traveling minstrels. Expect to hear from them soon.

~LINKS~
Website: https://www.the-tillers.com/

Facebook: https://www.facebook.com/thetillers/

Instagram: https://www.instagram.com/the_tillers/

Spotify: https://open.spotify.com/artist/5IYB6AHoUTP9zukPC2boFS?si=12GUd-8SSWCciG-zdY3Zgw

Apple Music: https://music.apple.com/us/artist/the-tillers/442743320

About The Montvales

Born and raised in Knoxville, TN, Sally Buice and Molly Rochelson of songwriter duo The Montvales spent much of their formative years busking amidst the Elvis impersonators and musical saw players of the town’s Market Square, honing their uniquely boisterous harmonies and driving, joyful sound. Eventually they graduated to playing indoors on the local Americana radio station, WDVX, and found community in old-time circles around town. A local fiddler’s dairy cows were among the first intrepid listeners of their early DIY recordings. After moving away for several years to seek their fortunes separately, Molly and Sally finally reunited in 2019 to write and record their first album, Heartbreak Summer Camp. The two now make their home in Cincinnati, OH, spending their days touring extensively and crafting intimate, storytelling-driven songs that explore the joys and perils of self-determination. Their new album, Born Strangers, is produced by Mike Eli LoPinto (producer and co-writer of Emily Nenni’s “On the Ranch”, guitarist for Chris Stapleton) and recorded in Sean Sullivan’s Tractor Shed Studio in Nashville. Tracks from the album have been featured by The Bluegrass Situation, Holler., The American Songwriter, The Bluegrass Standard, Twangville, and more. The twelve songs careen recklessly across the whole folk-country spectrum, showcasing The Montvales’ distinctive harmonies and building a sonic world just expansive and surprising enough to hold the wide-eyed existentialism of the stories and questions raised by the lyrics.